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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Song Min Jung

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관리자 2022-12-16 16:00

작가Song Min Jung
Custom, 2022, Mobile phones, video installation, Dimension variable.
 
When Haruko turned 23, she moved to Busan from Japan with her husband, who was a footwear engineer and was sent abroad for work. At that time, many Japanese engineers were dispatched to Busan as the result of a joint Korea-Japan partnership dealing with rubber. One day, while bringing lunch to her husband, Haruko met Chunja at the factory where they worked. These were two people inexplicably drawn to one another. Haruko (はるこ, meaning “born in spring” in Japanese) was born in Kobe in the spring of 1945, while Chunja (春子, meaning “child of spring” in Korean) was born in Busan on the exact same day. With the same name, meaning “children of spring,” they are born with a similar fate and recognize a new place by using each other as coordinates. Chunja becomes an alleyway into an inner world for Haruko, while Haruko represents a sea route towards the outside for Chunja. Custom is a mystery thriller that follows their smartphone. Song Min Jung establishes a particular environment in relation to these fictional characters and connects them to the timelines on their screens. In Custom, Song traces the very meaning of “movement” by looking at the mixed world formed in between the real world and its set-up.
 
Song Min Jung

b. 1985, Busan, South Korea
Lives in Seoul, South Korea

Song Min Jung interprets the present as she traces the meaning of movement in a world where relationships of physical and non-physical things are intermingled. Using screens and places as her materials, she mixes time and the body to create timelines, through which she represents the pressures that arise in our relationships with language, emotion, and objects. She draws on the approaches of advertising, miniseries, vlogs, games, and more while employing familiar mobile devices to weave new worlds as she participates in contemporary discourse. In this sense, her work bears great similarities to the present moment. She has held the solo exhibitions tandsmør (Kunsthal Aarhus, Aarhus, 2021), COLD MOOD (1000% soft point) (Tastehouse, Seoul, 2018), and Double Deep Hot Sugar - the Romance of Story - (B½F, Seoul, 2016) and participated in the Busan Biennale 2020, as well as group exhibitions such as Signaling Perimeters (Nam-Seoul Museum of Art, Seoul, 2021) and Young Korean Artists 2019 (National Museum of Modern and Contemporary Art, Gwacheon, 2019).

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