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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Tabita Rezaire

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관리자 2022-12-16 16:01

작가Tabita Rezaire
Deep Down Tidal, 2017, Singlechannel video, color, sound, 18min. 40sec.
 
In her video Deep Down Tidal (2017), Tabita Rezaire investigates the ocean as the medium of colonialist and neo-colonialist power structures. The work revolves around the theory of “electronic colonialism,” wherein systems of power use digital technologyprimarily the internetto subjugate the “Other.” Merging human bodies with distorted electronic communication against a background of cosmic forms, Rezaires video shows that the new battleground for contemporary colonizers is digital space, rather than physical territory. The artist further reminds us that electronic colonialism is essentially conducted at sea, where digital data is transmitted through submarine fiber optic cables, thereby retracing the routes of colonial slave ships of the past. Containing not only fiber optic cables, but also sunken cities and drowned bodies attesting to the hidden history of past voyages, the sea becomes the stage for a complex network of cosmological, spiritual, political, and technological meanings. Through a collage of CGI, screen recordings, Google search queries, pop icons, and filmed footage, Rezaire crafts a critically engaged perspective on the cultural, political, and environmental forces that shape our technology. The end of the video provides a glimmer of hope, suggesting that the sea can also be a locus of healing and regeneration by recalling how our ancestors once danced, sang, and prayed to the ocean in order to re-connect with the bountiful energies of water.
 
Tabita Rezaire

b. 1989, Paris, France
Lives in Cayenne, French Guyana

Tabita Rezaire is infinity longing to experience itself in human form. Her path as an artist, devotee, yogi, doula, and farmer is all geared towards manifesting the divine in herself and beyond. As an eternal seeker, Tabitas yearning for connection finds expression in her cross-dimensional practices, which envision network sciences - organic, electronic and spiritual - as healing technologies to serve the shift towards heart consciousness. Embracing digital, corporeal, and ancestral memory, she digs into scientific imaginaries and mystical realms to tackle the colonial wounds and energetic imbalances that affect the songs of our body-mind-spirits. Through screen interfaces and healing circles, her offerings aim to nurture our collective growth and expand our capacity for togetherness. Tabita is based near Cayenne in French Guyana, where she is currently studying Agriculture and birthing AMAKABA - her vision for collective healing in the Amazonian forest.

 

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