스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & Artworksformer Bank of Korea in Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 PACK

Read 2,646

관리자 2022-12-16 15:59

작가PACK
Hinterland: Future Fossil, 2022, Single-channel video installation, sound, color, 18min. 58sec. Panel production: Ppuri (Ahn Taewon). 
 
Earlier this year, PACK collaborated with visual artists, sci-fi writers, a music duo, a concept artist, and a 3D modeler to develop the online exhibition Hinterland. Presented in an offline setting for the first time, revolves around a fictional universe devised by a tabletop role-playing game. Set in the 25th Hinterland, which in German translates to “the land behind,” century, the exhibition follows archaeologists and artists as they retrace the 23rd centurya period when the notion of nation-states has submerged alongside much of the land due to a drastic increase in sea level. The exhibition explores how the movement of data in the metaverse, the sociopolitical order at sea in the absence of national governments, and humanitys relationship with nature are entangled. Pier 1 features Hinterland: Future Fossil, a video tour of the online 3D exhibition, and the Museum of Contemporary Art Busan presents Hinterland: The Anatomy of a Houseboat, a structure that takes previous exhibition research materials to further discuss a future that is yet to come. Hinterland: Future Fossil edits together scenes from the 3D exhibition presented on the online exhibition platform New Art City(newart.city) in the form of a virtual exhibition tour. The guided tour is of Hinterland, a special exhibition that takes place in the deep ocean in the 25th century. The exhibition consists of the main lobby and three exhibition spaces. Each exhibition space is thematically organized and explores the environment, life and labor, and life of outlanders in the 23rd century. The architecture of the galleries and the exhibition flow are informed by the structural forms of Ediacaran biota. The prehistoric biota, notable for its symbiotic ecosystem, serves as a metaphor for the decentralized network favored by Web3 technology and is re-interpreted as an open metaverse in the Hinterland universe. The video embodies the sense of exploring the past from the 25th century.
 
PACK

Founded in 2017

Founded in 2017, PACK works across exhibition curating, web development, art education, research, branding, design, and publishing both online and offline. PACK first began by selling artworks in 404040 cm transparent cubes, setting forth to mediate the production, exhibition, experience, and distribution process of art. PACK has collaborated with various artists, curators, developers, and many other professionals to form a vibrant community of creatives. PACK is particularly interested in creative projects, exhibitions, and platforms that work at the intersection of art and technology. Notable exhibitions and projects include Hinterland (New Art City online exhibition, 2022), All, All, All NFT (SPACE Four One Three, Seoul, 2021), PACK 2019: Adventure! Double Cross (Post Territory Ujeongguk, Seoul, 2019), and PACK 2018: TinkerBells JOURNEY (SPACE Four One Three, 2018). PACK has also participated in numerous projects, such as off (SPACE Four One Three, 2021), Art Street (Hyundai Card Storage, Seoul, 2020), and Take Me Home (Platform-L Contemporary Art Center, Seoul, 2019).

TOP