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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Man-Young Jung

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관리자 2009-08-26 15:57

작가Man-Young Jung
MAN-YOUNG JUNG, an artist from Busan, was preoccupied with wood sculpture before he turned his attention to light and space. Since then he has expanded the range of his work to include a variety of installation art. As a part of the extension, he has used locally produced materials, such as bamboo , in light installation and film projectors for media installation to explore the issues of urban space, such as urban night illumination. His frequent work with theater productions on stage sets reflects his interest in urban scenes which represent interplay between light and structured spaces. His work in the Biennale, White Forest is a large-scale installation in which major high-rise buildings in Busan are reproduced in white plaster. The artist has covered the entrance of the Busan Museum of Modern Art with the plaster sculptures to make it look like a forest.
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