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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Traveling Amazonia

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관리자 2009-08-28 16:48

작가Marine Hugonnier
TRAVEL AND the romantic notions it inspires are the currents that run through much of Marine Hugonnier's recent video and still photography. Exploring the limits of moving pictures as a medium of expression, her work focuses on the relationship between ideology and place, or landscape and history. Her installation for Busan Biennale 2006, Traveling Amazonia, is a 16mm movie filmed along 6,000 miles of expansive road intersecting Brazil's Amazon Rain Forest. Executed under military dictatorship to fulfill the government's vision of urbanization, its construction prompted rapid mining of Amazon's natural resources and caused irreversible environmental damage. Hugonnier produces a camera track for the traveling shots in order to recreate this road on film, and such Film about film ultimately reiterates the illusion of utopian development project and the phantasmagorical image of moving pictures.
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