스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Louis De Cordier

Read 10,778

관리자 2009-08-26 15:43

작가Louis De Cordier
DE CORDIER MAKES work for the world that is increasingly rapidly moving and technologically oriented. The artist offers his modularized structures that make connections between arts, science, and architecture, for the purpose of creating a shelter for people today who are becoming the contemporary nomads. For Busan Biennale he offers a boat named Seapod as a sculpture. Appropriate in relation to the title of the exhibition A Tale of Two Cities: Busan-Seoul/Seoul-Busan, de Cordier initiates a performance by sailing in this boat from Incheon to Busan over ten days journey, arriving at the Yachting Center ay Sooyoungman Bay in Busan on the opening day of the Biennale. Having stemmed from the small piece of territory, the Tale of Two Cities here gain a new narrative dimension as the stories unfold from the sea, looking towards the direction of the land.
TOP