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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Library Project - Chair

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관리자 2016-08-23 19:07

작가HUANG Yongping
HUANG Yongping, <Library Project - Chair>, Cane Chair, paper pulp, 80x50x55cm, 1988  © JJY Photo

HUANG Yongping, <Firecracker pants>, C-p rint, 40x60cm/42x60cm, 1987, Courtesy of the artist

HUANG Yongping, <The Beard was Easiest to Burn>, paper, 29.9x22.2cm x 4 panels, 1986  ⓒ Guan Yi Contemporary Art Archive

[China]
HUANG Yongping
Library Project - Chair
The Beard was easiest to burn

A founding member and leader of the Xiamen Dada artists group, one of the most important artists in the wave of Contemporary Chinese art, Huang Yongping has been living in Paris since 1989. Integrating various traditions and mediums, Huang has been constantly challenging existing historical and aesthetic notions, exploring relationships between Eastern and Western cultures, between humans and animals through installations in an attempt to discover a mode of expression that transcends national boundaries and ideological conflicts. His art practice has inherited elements from Joseph Beuys, arte povera and John Cage, as well as elements from traditional Chinese art and philosophy. The Beard was easiest to burn is a Dadaist analogy. The artist recorded and documented the burning Leonardo Da Vinci’s self-portrait with video and photography. As the materials were destroyed, yet notion was left behind. This act does not necessarily symbolize the death of painting, but rather manifests the artist’s attitude and strategy towards the medium. Library Project - Chair is a rattan chair wrapped with disintegrating paper pulp from books. Traditional objects and ideas with modern notions are reconstructed, juxtaposed, integrated in his works, offering new perspectives to the real world.
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