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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Untitled

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관리자 2016-08-23 19:04

작가MA Desheng
MA Desheng, <Untitled>, Ink on paper, 95.5x178.5cm, 1984

MA Desheng, <Portrait of Women>, Ink on paper, 61x81cm, 1984

MA Desheng, <Portrait of Women>, Ink on paper, 45x65.5cm, 1984

[China]
MA Desheng
Untitled
Portrait of Women
Portrait of Women

A core member of the “The Stars” group, Ma Desheng was born in Beijing, where his childhood during the chaotic and unrest of the Cultural Revolution has made profound impacts on him. His earlier works were primarily woodblock prints, a voice of struggle and resistance as he strived for freedom. The monochromatic represents the hardship in everyday reality, contrasting with the carefully selected truth generated by the machines of political propaganda. In 1982, Ma embarked on an art practice that integrated abstract female figures with landscapes in his ink paintings. Visually voluptuous and powerful, these works on papers share similar traits with his woodblock prints: equally elegant brushworks, fluid and incise, allowing the contrast in monochrome to remain strong and clear. Meanwhile, Ma adopted the dispersive characteristics of ink on paper to represent the levels of transformation in the singularity of ink, emulating the shades of the body, a sense of weight, dimensionality and multiplicity. The abstract image rendered in the mode of traditional Chinese painting suggests the most fundamental existence of human kind. Due to high political pressures, Ma Desheng left China for Switzerland in 1985, and currently lives in Paris. 
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