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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Yuanmingyuan - Freedom

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관리자 2016-08-23 19:12

작가HUANG Rui
HUANG Rui, <Yuanmingyuan - Freedom>, Oil on canvas, 60x74cm, 1980

HUANG Rui, <Wall (Preparatory Sketch)>, Charcoal on paper, 58x85cm, 1979

HUANG Rui, <AIR No. 1>, Oil on canvas, 88.5x117.8cm, 1981

HUANG Rui, <The Guitars Story>, Oil on canvas, 86x96cm, 1981

HUANG Rui, <Man Reading>, Oil on canvas, 61.5x51.5cm, 1980

[China]
HUANG Rui
Yuanmingyuan - Freedom
Wall (Preparatory Sketch)
AIR No. 1
The Guitars Story
Man Reading

The most important organizer of the “Stars Art Exhibition” and “The Stars”, Huang Rui was influenced by Western art in his earlier practice. By the end of the 1990s, he gradually developed experimental works in his own style. Symmetry and minimalism are the most pronounced characteristics of his works, where his incisive use of color is apparent. Art practice is a means to voice his beliefs, and his consistency on the freedom of expression embodies his concern on social reality. The romantic visual composition and the scenery of desolation of the Yuanmingyuan ruins inspired the Yuanmingyuan series (1979-1981), which became representations of the Chinese cultural spirit in ruins. Wall is a depiction of the artist’s personal experience at the Xidan Democracy Wall in Beijing, a thematic painting set against the backdrop of its time, in which the artist successfully experimented with integrating scenarios into a deconstructed composition. The Guitars Story, AIR No. 1 and Man Reading shown in the 2nd Stars Art Exhibition (1980), are profoundly influenced by Fauvist paintings in displaying a freedom of expressing emotions, presenting a reality through historical narrative. After living in Japan for a decade, Huang returned to Beijing in 2002 to continue his work and pushed the establishment and development of the 798 Art District forward. 
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