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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Rice Brewing Sisters Club

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관리자 2022-12-16 15:04

작가Rice Brewing Sisters Club
Sea Plants, Bare Hands, Entangled Gaetbawi, 2022, Mixed media (Inkjet print, wood, cotton, net, buoy, candles collected at Gaetbawi), Video (2min. 20sec., HD color, silent), Dimensions variable (200×785×650cm). Installation: Shin Ikkyun, Video edit: KAY
 
The jagged boulders spanning the Busan coastline represent the hardships and struggle for survival that women in fishing villages face bare-hand harvesting food from the sea. Until now, they have survived by cultivating a tolerance for the harsh working conditions of this environment. For example, the natural seaweed and algaes of Gijang province grow from the rocks on the seashore and have to be collected by hand to be sold at market. Other seaweeds that can be used as ingredients in foods and even in construction are left by female divers in their aim to preserve the food chain. Exposed to the waves year-round in temperatures that can reach up to 40 degrees Celsius in summer, the labors of these female divers to secure seaweed and algae from the sea are hidden behind the narratives of modern history of the vast seaports and industrial warehouses of today. The Rice Brewing Sisters Club(RBSC) is committed to researching about seaweed, the harvesting of the seas resources by hand, and the geography of the rocky seashore of Busan. They view this time-honored way of living to be increasingly vanishing as they try to connect the stories of these peoples impressions, labors, and beliefs. They have created a virtual space where one can experience Busans rugged coastal terrain and seaweed as it is connected to the people who harvest its resources by hand without harming the life of the ocean. Their work pays special attention to the knowledge of these skilled women who come into direct contact with the marine environment and how they are able to preserve marine life by using their hands. This stands in stark contrast to modern industrial fishing practices, where overfishing runs rampant. It weaves together into one single net the disparate narratives of our human desire to catch a good haul of diverse fish and the hopes for the survival of entire endangered species, as well as the human hands handling life and the hands praying for its prolongation. The seaweed, the diving women, and their handsall on the verge of disappearing— are recorded, intersected, and connected and displayed in this exhibition.
 
Rice Brewing Sisters Club

Son Hyemin, Shin Aletheia Hyun-Jin, Ryu Soyoon
Founded 2018

The Rice Brewing Sisters Club expands artistic practice rooted in collaboration and relationshipsnon-human to human, human to human, human to community, and community to communityinto the concept of social fermentation, creating work that combines elements of visual art, performance, writing, and oral history. Their past exhibitions include Refrigerator Illusion (Asia Culture Center, Gwangju, 2021), the 5th Indonesia Contemporary Ceramics Biennale (Jatiwangi, 2019), and Ecological Sense (Nam June Paik Art Center, Yongin, 2019), while major projects include Social Fermentation: Collective Writing Project (2021), CheopCheopDamDam (Small Art Museum, Bongpyeong, 2020), Soil-Soil-Land (Anseong, 2020), and Kkureomi: Unboxing with Sisters! as a part of the 13th Gwangju Biennale Public Program (2020).

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