스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & ArtworksMuseum of Contemporary Art Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Qavavau Manumie

Read 2,570

관리자 2022-12-16 14:51

작가Qavavau Manumie
Untitled, 2019, Graphite, color pencil and ink on paper, 62×128cm.
Untitled, 2017, Color pencil and ink on paper, 58.6×76cm.
Untitled, 2014, Graphite, color pencil and ink on paper, 38×58.4cm.
Untitled, 2013, Color pencil and ink on paper, 49.9×64.9cm.
Untitled, 2013, Color pencil and ink on paper, 49.8×64.8cm.
Untitled, 2008, Graphite, color pencil and ink on paper, 50.8×66.2cm.
Untitled, 2008, Color pencil and ink on paper, 56×75.7cm.
Untitled, 2006, Color pencil and ink on paper, 51×66cm.
Untitled, 2006, Color pencil and ink on paper, 50.8×66.1cm.
Untitled, 2006, Color pencil and ink on paper, 66.3×50.8cm.
Untitled, 2006, Color pencil and ink on paper, 50.7×66.1cm.
Untitled, 2001, Color pencil and ink on paper, 50.9×66cm.
Untitled, 2001, Color pencil and ink on paper, 33.1×50.8cm.
Courtesy the artist and Dorset Fine Arts.
 
Qavavau Manumie is an artist from Kinngait, an Inuit hamlet on Dorset Island in the Canadian Arctic. In his playful yet purposeful paintings, Manumie expresses the legends, myths, and lives of the Inuit people, along with the animals with whom they share the Arctic. Using very distinct colors and compositions, he combines the harsh realities of everyday life in the Arctic with scenes from his own imagination. Many of his works concisely explore the seminal role of tools in the daily lives of people in the polar regions, while also highlighting the endless cycle of nature and the ongoing crisis of climate change. In his captivating images, the myriad inhabitants of the sea of thin ice— humans, tools, animals, and naturefreely mingle and merge to reveal one another.
 
Qavavau Manumie

b.1958, Brandon, Canada
Lives in Cape Dorset, Canada

Qavavau Manumie is one of the Canadian artists who redefine the paradigm of Canadian contemporary art through his ink and colored pencil drawings that offer a contemporary perspective on Arctic wildlife, Inuit myths and legends, and the lives of Inuit people. Focusing on climate change as a phenomenon that is having an acute impact on cities around the worldincluding the one in which he liveshe presents harmonious portraits of real-life natural landscape based on his own artistic imagination and his humorous and novel perspective. Many of Manumies works are featured in the collections of numerous art institutions, including the National Gallery of Canada, the Museum of Modern Art in Warsaw, and the Ackland Art Museum at the University of North Carolina-Chapel Hill. Since his first solo exhibition Original Drawings by Kavavaow Mannomee of Cape Dorset (Isaacs/Innuit Gallery, 1993), he has remained prolifically active; most recently, he took part in the 23rd Biennale of Sydney in 2022.

 

TOP