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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 For a Baby

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관리자 2005-10-12 13:53

작가Choi, Pyung-Gon
The artist, who has systematically participated in time-honored liberal grass-roots movements, has been engaged in the formative works of enormous human figures. He seeks after truth through his works regarding the future life of humans. The themes of this artist are the issue of humans and the issue of life, reality, and history. For the 2002 Sea Art Festival, he presents a group of human figures made of 18-meter-high bamboos. This split and tied bamboos represent a baby in an Afghanistan refugee camp. "For a baby" can be the figure of them, the artist, and us, which is the reality of the present. The baby the person is holding represents the future, hope and dream. The sea, which maintains the mystery of the ancient times, is the origin of life. The person walks out of the sea. This is a historical symbol. The person appears on the ebb tide and disappears on the flood tide, which symbolizes the visual shift of the environment surrounding him.
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