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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Commemorate Things Disappearing.

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관리자 2005-10-12 13:50

작가Chung, Hye-Ryung
As you can guess from the title, this work tries to express the feature of time through things. It shows the shapes of chairs being changed with the passage of time, using the nature of sand, which comes down little by little with time or sometimes crumbles in an instant and disappears. Moreover, by arranging chairs, which is familiar to people, viewers can be a part of the concept touching and sitting on the chairs. Some chairs are made with sand attached firmly to wooden frames while some are fragile made of the sand on the exhibition site and taken into the shape with a frame. People can sit on some chairs and take it easy for a while but the frail chairs made up of only sand collapse so feebly. However, all the chairs lose their well-defined features with the passage of time and return to where they are from, sand on the beach.
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