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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Circulation of Sound

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관리자 2009-08-26 17:12

작가Jun Seub Sim
UN SEUB SIM PRESENTS his reflections on the boundary between what exists and what does not, or presence or absence, through his sound and installation work. Circulation of sound is structure made of VC pipes, which contains the video component of the image of running water along with multiple speakers that generate the resonating sounds. For Sim. sound is the sense that necessitates the fastest response in a person and a tool of communication between people. By juxtaposing the aural component of the absent materials against the image of the visible material, the relationship between the sound and the image of water takes on the meaning of cycle. The work is installed in the actual stream and its immediate surrounding space where there re rows of water pipes. Therefore, the virtual sound and images in the work once again overlap with the sound and image of the external, the real.
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