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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Job Koelewijn

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관리자 2009-08-26 17:07

작가Job Koelewijn
JOB KOELEWIJN INVITES the audience to undergo a poetic experience by sensing the newness in his transposition of quotidian events and objects in strange places and for unfamiliar purposes. Koelewijn operates not only in visual sense but also in ural and olfactory senses, and provides diverse kinds of experience accompanied by everyday motifs, which then he constructs in multifaceted ways in the gallery or outdoor space. Audience therefore perceives what re seemingly ineffable boundaries between reality and the virtual, and both uncertain and transparent realms that once occasionally encounters in everyday life. Presented at Busan Biennale, Cinema on Wheels is a work in the form of container box with its interior designed as a theatre. Where screen is supposed to be, there is large window that is open towards the outside, and the audience hears the sound from outside through the speakers while viewing the landscape outside. The work induces the audience to n uncanny experience in which the outside reality and fictional world of there overlap.
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