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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Untitled

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관리자 2009-08-26 16:13

작가Tomas Saraceno
THE INTERPLAY BETWEEN art and architecture provides the background for Tomas Saraceno's works. He produces thermal devices such as hot-air balloons that can be moved by blowing air into them. His works such as Flying Gardens and Air-Port-City are 'air communities' that aim for realizable utopias where human beings and nature can co-exist in harmony. His transportation devices and residential structures are lighter than air. To the artist, gravity is not simply a natural phenomenon: it is also psychological and social. His floating collective residential complexes are free from the restrictions of national. cultural, and racial identities, and they suggest fully-imagined solutions to the contemporary urban problem of overpopulation. For the Busan Biennale, Saraceno produced a balloon made of a geometrically shaped globe. He also shows a video filmed near the South Pole, illustrating that for him an exhibition is another expedition.
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