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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Tim Hyde

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관리자 2009-08-26 15:52

작가Tim Hyde
TIM HYDE BEGAN his career as an artist after studying architecture. His photographs portray without any lighting devices metropolitan nightscapes, focusing on the real and imaginary depictions of the cities and utilizing pictures, sounds and the phantasmal effects of the film to describe the relationship between people and place. His video installation for Busan Biennale 2006, Invisible City, takes place in what appears to be a single night in a housing development of an unidentified city in post-Soviet Eastern Europe. The video is a physical and psychological response to the post-utopian urban decay, played out through a series of confrontations between inhabitants, both human and animal. Despite the city\'s seemingly stiff architectural style, it shapes itself around our own projections of curiosity, desire, hope and fear, thus alluding to its malleability.
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