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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Im-Gook

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관리자 2009-08-26 15:53

작가Im-Gook
Im-Gook's Gallery of Hobbies','','LIVING AND WORKING IN BUSAN, Im-Gook is better know as an underground musician than as an artist among the locals. Originally trained as a painter, Im prefers the concert stages in the clubs over exhibition spaces, for the former provides the direct, lively, and spontaneous exchanges of sensations with the audience. His contribution for the Biennale Im-Gook's Gallery of Hobbies, he showcases the world of his hobbies, rather than that of his paintings. The main content consists of a video in which Im constructs a plastic model tank. The most popular component in Im-Gook's Gallery of Hobbies is surely the remote-controlled race car track. Im joked by saying that he was finally able to play with the remote-control race cars that he gas dreamed of since his youth, thanks to the support of the Biennale. But in fact, it is the audience who get to 'rediscover' the architectural structure of the museum interior through the act of maneuvering the remote-control race cars.
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