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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Honore d'o

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관리자 2009-08-26 15:40

작가Honore d'o
HONORE D'O WAS introduced to the Korean public with his work in the Pusan International Contemporary Art Festival in 2000. This time, he is showing a large-scale multi-media installation that stretches from the second floor gall to the third floor of the Museum. It is a work that was initially shown at the Venice Biennale in 2005 under the title, The Quest, and it has been adapted for the space at Busan Museum of Modern Art. Over 10,000 beer bottles are use to make a stage on which people can walk, and at other times they are arranged as sculptures of various animals. PVC pipes installed on the floor, the wall, and in air, and plastic cartons stacked high make an endlessly expandable sculpture, and it is enough to make a viewer forget, at least temporarily, his or ger own bodily weight. There are also video images projected in all directions. They create a visual effect in which it seems the work is holding up the place rather than the place holding the work. In addition to the installation piece, the artist made an image book with the same title.
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