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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Tsukiji

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관리자 2009-08-26 16:14

작가Alan Sekula
Allan Sekula is an artist well-known for his conceptual documentary photography of social and political subjects. He traces political, economic, and cultural changes brought on by globalization. His style is defined as critical realism, and his work became woll known through Fish Story (1989-95), a book that brings together a series of his writings and photographs. The book contains color photographs and text providing an in-depth exploration of the changes in the fishing industry and maritime sector brought on by globalization. The book gas an entry on the container port of Busan, making it all the more interesting for local museum goers. His work in the Biennale, Tsukiji(2001)shows the largest fish market in the world, located in Tokyo. The detailed scene of cleaning fish with a knife makes a particularly strong impression in this video. The artist\'s works remind one of the artistic tradition of Takiji Kobayashi, a leftist Japanese novelists active during the 1920s and 30s who straddled the line between modernism and socialist realism.
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