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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Tacrical Disorder

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관리자 2009-08-26 16:16

작가Alehandro Vidal
ALEHANDRO VIDAL observes how politics and advertisements of the modern society alter our attitudes toward the violence in cities. His main focus is the social, political and economic significance arising from the critical interpretation of such observation in contemporary art. In other words, his work focuses on the aesthetics of violence. Consequently, his photographs and video works reflect the preferential view of violence underlying current artistic standpoint. From the video manuals of self-defense to 80\'s punk, early rave techno or 90's cult movies, violence depicted in popular culture is used as the main reference material for his work. His work for Busan Biennale 2006, Tactical Disorder, is a recent single-channel video installation inquiring about the state of security or the power or fear.
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