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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Dialogue-Bologna 199371

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관리자 2016-08-23 18:07

작가ZHANG Dali
ZHANG Dali, <Dialogue-Bologna 199371>, C-p rint, 60x90cm, 1993  © artist

ZHANG Dali, <Dialogue-Xinglong Hutong 199593A>, C-p rint, 60x90cm, 1995  © artist

ZHANG Dali, <Dialogue-Deshengmen 199583>, C-p rint, 60x90cm,1995  © artist

ZHANG Dali, <Bumming in Beijing>, Single channel video, 1990  © artist

[China]
ZHANG Dali
Dialogue-Bologna 199371
Dialogue-Xinglong Hutong 199593A
Dialogue-Deshengmen 199583
Bumming in Beijing

One of the first contemporary artists in China who had a concern in people’s livelihood, and one of the first to make graffiti on the street, Zhang Dali’s Dialogue series became known as early as the 1990s. Reality is a spiritual drive and resource in his art world. In Dialogue, the iconic head silhouette appropriating the artist’s own portrait appeared in selected locations amongst Beijing’s demolition sites. The artist then carved out the head shape on the wall, allowing the scenery to be seen through it and be documented. The sense of destruction and participation converge into the artist’s multiple and indispensible choices between the thought of the artist and the unstoppable urbanization of the city. Directed by Wu Wenguang, Bumming in Beijing represents the “renegade” youths from a different angle, including Zhang Dali of the 1980s, pursuing pure artistic ideals, and their seemingly optimistic yet awkward life experiences. Zhang has always adopted multiple mediums to explore ways of representing his subjects, and on the relationship between artistic medium with time and space, probing how art intervenes in reality, reflects and questions the issues created in the process of our cultural and social development. Of which, the audience may resonate sensually and mentally from the field he has created.
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