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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 12 Square Meters

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관리자 2016-08-23 18:02

작가ZHANG Huan
ZHANG Huan, <12 Square Meters>, Single channel video, 03'02", 1994  © artist

[China]
ZHANG Huan
12 Square Meters

Zhang Huan who is known for conceptual performances and a member of the artists’ enclave at “Beijing East Village”. 12 Square Meters is the most literal reflection of living in East Village: 12 square meters marks the dimension of public toilet at the Beijing East Village. Zhang covered his body in fish oil and honey, sat at the center of the public toilet where the flies soon crawled over his entire body. In this process, Zhang tried to forget about reality, and allow his spirit to depart from his body. One hour later, he walked into a pond filled with trash and feces to “clean the body” as, thousands of flies followed him and swung above the water. The narrow public toilet and the relatively spacious water pond are metaphors for the dire circumstances and the living spaces of the artists. Of course, in spite of such circumstances, in order to live one nevertheless has to rely on his physical force and conscience to tolerate it. One’s spirit and physical body came in a tug of war, and in such conflict the complexity of the human condition becomes apparent. Lived and worked in New York for 8 years, Zhang concluded his performances, and founded an art studio in Shanghai in 2005, and uses leather, raw hide and the ashes from urban Buddhist temples to recreate these sculptures and figurations. 
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