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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Bloodline: Big Family No.3

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관리자 2016-08-23 17:55

작가ZHANG Xiaogang
ZHANG Xiaogang, <Bloodline: Big Family No.3>, Oil on canvas, 190x150cm, 1996  © Chang Tsong Zung's Collection

ZHANG Xiaogang, <Wasteland Series No. 3>, Oil on paper, 25.7x19.5cm, 1988

ZHANG Xiaogang, <Wasteland Series No. 4>, Oil on paper, 19.4x27cm, 1988

[China]
ZHANG Xiaogang
Bloodline: Big Family No.3
Wasteland Series No. 3
Wasteland Series No. 4

An artist best known from the “New Figurative Image” in the ’85 Art New Wave Movement and a member of the “Southwest Artists Research Group”, Zhang Xiaogang endured loneliness enshrouded by death in his “phase confronting with the devil” upon graduating from the Sichuan Fine Arts Institute. Soon, he entered the phase of being “on the shore”, where religious motifs and iconic subject became the basis of his paintings. Wasteland series is an embodiment of that period, in which Zhang’s earlier artistic vernaculars of the surreal, his broad humanistic concerns and philosophical thinking were well represented. As the political upheaval unfolded in 1989, it urged him to “return to the world of the people”, henceforth, the various elements developed thereafter in his artistic itinerary began to formulate gradually. In 1994, Zhang created the Bloodline series based on the concept of “blood relationships,” when he had fully departed from the expressionism framework. The gray images convey an oppressed history, and the masks of the revolutionary period portraits provoke the collective memories of that particular period. It is also with this series he established unique aesthetic motifs that became a classical icon in the history of Chinese contemporary art.
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