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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Ten Years Ago

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관리자 2016-08-23 17:51

작가ZHOU Tiehai
ZHOU Tiehai, <Ten Years Ago>, Mixed media on paper, 173x232cm, 1989

[China]
ZHOU Tiehai
Ten Years Ago

Zhou Tiehai is considered “the most genuine conceptual artist” in China, his rebellious position to art since 1989 has added an audacious exploration on the boundary of contemporary art. Zhou Tiehai’s radical enthusiasm persistently translates an independent artist’s understanding on art, life and the world. His work Ten Years Ago from the 1980s, for example, a work was a collage of graffiti on old newspapers, satirical and frank. From 1994, he showed no qualms that his works of art are completed by his assistants under his guidance, conceptual proposals are challenging goals he had set as a conceptual artist, as well as displaying an attitude towards the art market closely associated with his own interest. He always voiced contentious “tones” to the development of contemporary Chinese art that delineates a parallel chronology vis-à-vis the development of contemporary art.
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