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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Piling

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관리자 2016-08-23 16:25

작가KIM Jong-Kun
KIM Jong-Kun, <Piling>, blacken canvas, 145.5×112.1cm, 1974

KIM Jong-Kun, <Origin>, Fire work on canvas, 130.3x97cm, 1973

[Korea]
KIM Jong-Kun
Piling
Origin

Kim Jong-Kun participated in the Busan Contemporary Artists Exhibition (1967) and the Subsequent Arts Exhibition (1968) led by the contemporary arts movement in Busan as a member of the Hyuck coterie from 1962. The initial works of Kim Jong-Kun sought after an absolute shape of monochrome that was extremely simple compared to the shapes of objects. From late 1960 he changed to creating works that involved setting fire directly to a screen on which he excluded shapes and colors. Known as the “artist of flame,” he has worked in the arts catching the soot of fire by joining candlelight and matches. He has shown an inclination to embody an intangible essence and original shapes through fire and air, the two basic elements of the universe. His work dealing with flames is a painting with monochrome that acts as a study on the origin of the invisible universe rather than the aesthetics of materials while investigating the essence of painting as a material or plane in which he manages to express a natural view of the world. 
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