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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Installation

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관리자 2016-08-23 16:22

작가KIM Ku-Lim
KIM Ku-Lim, <Installation>, metal chair, cloth, Dimentions variable, 1975

KIM Ku-Lim, <Bucket>, Oil paint on Bucket, 32x36x36cm, 1974

KIM Ku-Lim, <From phenomenon to traces>, Photography, 200x300cm, 1970

KIM Ku-Lim, <The Meaning of 1/24 second>, Single channel video, 11min. 00sec., 1969

KIM Ku-Lim, <Art of incomprehensibility>, photocollage, 180x100cm, 1970

[Korea]
KIM Ku-Lim
Installation
Bucket
From phenomenon to traces
The Meaning of 1/24 second

Kim Ku-Lim was born in Daegu and resisted the established education system offered in universities. He began to produce lyrical abstract works in late 1960s and joined an art circle. He produced the first experimental film in Korea, Meaning of 1/24 Seconds (1969), and released From Phenomenon to Trace (1970), the first land art. Korea’s first experimental film Meaning of 1/24 Seconds contains a glimpse of a society in the process of industrialization and urbanization in the late 1960s through intermittent video clips. From Phenomenon to Trace recorded in land art showed a fire being set on a water bank which left behind traces in a geometric pattern. It was the first work of its kind in Korea that returned to nature in accordance with the passage of time. From Phenomenon to Trace was a work that elevated jwibulnori, a traditional Korean game involving fire, into the contemporary arts. Creating omnidirectional works as a member of the The Fourth Group in 1970 before moving to Japan, Kim Ku-Lim worked in the genre of conceptual arts where he broke down the concept of reality and virtual reality by painting traces of daily objects in the middle of 1970.
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