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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Corporal Term 71-2014

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관리자 2016-08-23 16:12

작가LEE Kun-Young
LEE Kun-Young, <Snail's gallop>, Single channel video, 13min. 14sec., 1975

LEE Kun-Young, <Corporal Term 71-2014>, Wood, root, soil, concrete, gravel, 510x260x150cm, 1971

LEE Kun-Young, <Logic of hands>, Photography, 30x50cm x 3 photos, 1975
LEE Kun-Young, <Logic of place>, Photography, 30x50cm x 4 photos, 1975

[Korea]
LEE Kun-Young
Corporal Term 71-2014
Snail's gallop
Snail's gallop
Logic of place

Lee Kun-Young conducted his art activities using wood, soil, rope, clothes in nature, and his body and then introduced double meaning with interest in communication with others and the world and language through photos, drawing, and linguistic activities. He made a contribution to experimental development in various genres ranging from event, performance, installation to drawing. Physical object and place have been an important theme in his works. By resisting sudden happenings and hosting the "event" realized through logical activities, he has brought the results of research on analytic philosophy and Laozi Zhuangzi thought into his works.
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