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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Wind-Falk Amusement

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관리자 2016-08-23 16:09

작가LEE Seung-Taek
LEE Seung-Taek, <Wind-Falk Amusement>, Photography, 250x490cm, 1970

LEE Seung-Taek, <Paper Tree>, Tree branches, paper, Dimensions Variable, 1970s


LEE Seung-Taek, <Tied Stone>, Stone, wire,Dimensions Variable, 1960s-1970s

LEE Seung-Taek, <Game in Wooden Construction>, Photography, 300x241cm, 1968

LEE Seung-Taek, <The Burning Canvas Floating on the River>, Photography, 250x460cm, 1964/74

[Korea]
LEE Seung-Taek
Wind-Falk Amusement
Paper Tree
Tied Stone
Game in Wooden Construction
The Burning Canvas Floating on the River

Lee Seung-Taek’s experimental works had an unrivalled avant-garde status in the art circles of Korea from the 1960s to the 1970s. The initial works of Lee Seung-Taek with his anti-concept of non-sculpture used non-typical materials like wind, water, and fire and more typical materials such as stone but escaped from the nature of materials. In addition, his unique method was to reinterpret traditional subjects such as shamanism or borrow from daily life, creating conditions rather than shapes. Wind-folklore, Ignited Canvas Washed Away in the Stream, Paper Tree, and Tied Stone are his initial works. The concept of intervention borrowed in his works from nature or daily situations can be understood as the modern transformation of appropriative landscape which is a traditional concept. 
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