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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Handle

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관리자 2016-08-23 16:01

작가PARK Suk-Won
PARK Suk-Won, <Handle>, Aluminum, bronze, 90x230x90cm, 1968

PARK Suk-Won, <4 shadows>, Fabric, timber, 70x400x400cm, 1972

[Korea]
PARK Suk-Won
Handle
4 shadows

Park Suk-Won won awards at the National Exhibition six times in a row in his twenties and was awarded Chairman of the National Assembly which contributed to the status of abstract sculpture in the conservative National Exhibition. Park Suk-Won participated in the avant-garde AG Group as a sculptor of experimental abstract sculpture who went on to enter his three-dimensional works into the Paris Biennale and Sao Paulo Biennale. His work Handle manages to escape from everyday life by expanding the daily act of opening and closing doors. Through his initial three-dimensional works he shaped his interest in spaces, objects, and environmental elements. 4 Shadows, his initial installation work, uses clothes and wood to raises questions about the absolute location and status of a space or object by drawing shadows made by pieces of wood onto the clothes themselves. These shadows appear in different directions on screen.
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