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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Korean dream

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관리자 2016-08-23 15:59

작가SHIN Young-Seong
SHIN Young-Seong, <Korean dream>, Fan on wall, 510x200x40cm, 1986

SHIN Young-Seong, <The Clock Swallowed the Sun>, Clock, wood window, light objet, 100x40x215cm, 1987

[Korea]
SHIN Young-Seong
Korean dream
The Clock Swallowed the Sun

Shin Young-Seong started work as a member of <Nanjido> Coterie in 1985. He has been interested in works dreaming of the recovery of humanity by pointing out structural contradiction in modern society. Shin Young-Seong became disillusioned with the culture of scientific technology where humans are reduced to machine and can be standardized. He was disappointed with the contradiction and irrationality of culture and how life on the earth is sequenced and categorized as good and devil. In 1985, he destroyed objects such as a clock and a fan with a hammer, an electric saw, and fire. The clock lost its function and was destroyed. The fan's shape was distorted like the appearance of lifeless people. This act of destruction symbolized people who are isolated and dumped without any dignity.
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