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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 더그 피쉬본과 함께하는 저녁

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관리자 2009-08-27 16:02

작가DOUG FISHBONE
Composed of series of still images downloaded from the internet coupled with a meandering, cod-philosophical voiceover, the format of Doug Fishbone’s films recall corporate induction and self-help videos, or a vacation slide show screened by an alien visitor to our media-saturated planet. Occupying a grey zone in which copyright violation, obscenity, and political incorrectness collide, their humour turns upon the juxtaposition of troubling imagery (obese children in MacDonalds, monkeys smoking cigarettes, bodies in burned-out tanks) with a narrator whose emotional state recalls the optimism of Voltaire’s Candide. The artist has said that ‘I am investigating the language of mass media to highlight some of the more problematic aspects of our culture ? greed, violence, pornography and indifference ? by using its own delivery of imagery as the basis for the work. The images in the video turn the vulgarity of our society’s freely available visual language back on itself’. The effect is somewhere between a stand up comedy act, and a news report broadcast from a bleak corner of our collective psyche.
- TM
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