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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 제안(우리는 단지 더넓은 세계를 필요로 한다)

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관리자 2009-08-27 15:46

작가EDUARDO ABAROA
Eduardo Abaroa creates complex brio collages using found elements, from children’s toys to portable outhouses, to create metaphors for regression, the repurposing of commodities, and the waste of modern society. Some of Abaroa’s earliest works, such as “Freak Collection” (1995), a series of surreal toys, exemplify this method. Abaroa's sculptures, assemblages, videos, and installations are intense amalgams of disparate emotions, materials and concepts.
The Biennial will include two recent works by Abaroa, We just need a larger world and Another World (and another, and another). The first is a sphere covered in small scraps of paper, each representing several versions of all the countries of the world; the second is an amalgamation of clothing, miniature houses and world globes, which allude to the presence of human beings. The two globular sculptures reflect on the multiplicity of subjective experience and the possibilities of excessive territory, an idea especially relevant as the Earth’s space and resources are proving to be insufficient to support demand. In addition, the twin sculptures also comment on the human obsession of inventing and desiring other worlds of every kind, a “worthless” form of mental and creative expenditure.
- MC, NB, MD
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