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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Between Red-187

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관리자 2016-08-23 13:06

작가LEE Seahyun
LEE Seahyun, <Between Red-187>, Oil on Linen, 334x745cm, 2013

LEE Seahyun
Between Red-187

Lee Seahyun’s scarlet landscapes have a very strong visual impact, almost as if inducing hallucinations. The works are unnatural and unrealistic. However, push through the dreamy fantasy, take a closer look at them, and you’ll encounter rather familiar and very real landscapes. Nature that surrounds us, buildings, towns and events have fully occupied the paintings. His works are realistic and beautiful, yet somewhat sorrowful. This is because a single painting contains the four phases of life and all sorts of emotions humans and nature have. He reveals the violent perspective inherent in humans without any moderations, bluntly shows the wounds of history inscribed in nature, and displays a new way of reasoning about the East and the West, humans and nature. His works embrace the wounds of both humans and nature.
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