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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Hybridizing earth

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관리자 2016-08-23 13:05

작가Lee Leenam
Lee Leenam, <Hybridizing earth>, VR+Tilth Brush, Dimension variable, 2016

Lee Leenam
Hybridizing earth

Development of modern science and technology brought about exchanges between cultures and changes of perception. In particular, the use of media by humans has enabled the realization of a new form of art in which politics, culture, and technology is combined. Moreover, from the perspective of post-modernism, media is much more continuous and revolutionary than any Avant-garde. This century of technological revolution set off from videos has not only led to the reproduction of virtual reality and highly advanced digital technologies but also virtual sculpting today. New digital media has enabled people around the world to move freely across time and space of the past, present and the future. It has brought about changes in visual perception and paradigm.
Media, which reenacts hybridization with the inflow of various cultural elements due to the development of capitalism and globalization, was made through interactions between various factors such as culture, history, social phenomenon, characteristics of media and messages. Hybridizing media created a new ideology through carriers of media such as race, language, sign, image, and culture. Lee Leenam seeks to examine how the media is dealing with hybridizing earth, or today’s reality which is represented by hybridizing earth. Put on the VR and you will find yourself in a virtual space filled with Chinese characters in 3D. This is visualization of human cognitive system influenced by the mixture of various media such as letters and films. The way the images of Chinese characters, which have a long-standing history as ‘letters’, disappear as a data, a pixel in a digital space call into question the essence and value of a subject.

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