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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Rose Garden

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관리자 2016-08-23 13:37

작가Keren cytter
Keren cytter, <Rose Garden>, Video, 8min. 57sec., 2014 

Keren cytter
Rose Garden

<Rose Garden>(2014) is a tragic story that takes place in a Texan bar. It can be said that this work is a pastiche of Luis Buñuel’s surrealist film <The Golden Age>(1930). The name of the bar must have come from the slogan ‘We Don’t Promise You a Rose Garden’ written in a Marine Corps recruitment poster. However, the slogan whose usage was so ignorantly changed by the Marine Corps was originally taken from the book ‘I Didn’t Promise You a Rose Garden’, which is about a schizophrenic woman who created her own world in an elaborate fantasy. One may consider this work to be a film that has the contrast between its dramatic storyline and lighthearted composition as its key theme. A number of stories exist independently, yet, all of those independent scenes overlap. Just like the scenes in Buñuel’s film, the plot is played out without enough explanation. Conversations in it are illogical as if written by a child, and at times, voice tracks don’t match the actors’ mouth movements. The soundtracks change the mood, but none of them are congruous with the scenes. The film seems like an alternate reality.
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