스킵네비게이션

Archive

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 After Mebuyan

Read 10,696

관리자 2016-08-23 13:36

작가Kiri DALENA
Kiri DALENA, <After Mebuyan>, 635 pieces of handshaped 14K Gold, Dimension variable, 2016  ⓒ Courtesy of 1335Mabini, Philippines

Kiri DALENA
After Mebuyan

Kiri Dalena who deals with Philippine’s sociopolitical issues is an artist and a social activist. The title of her work <After Mebuyan>(2016) is a goddess of the underworld in Philippine mythology which controls life and death using rice. Mebuyan, which is a figure with multiple breasts, sits on a table for pounding and grinding rice with her hands full of rice grains, the symbol of life. The scattered grains after falling from her hands are a ‘proclamation of death of the crowd and the public’. In another Mindanaon tribe, the Manobos, they perform a rites and ritual of sculpting a human figure out of cooked rice after a burial which all partakes of.
In 2016, the farmers of Province of Cotavato located in the northern Philippines confronted extreme draught due to El Nino. More than 6,000 farmers formed a human barricade across the highway in order to ask for rice aid. The government of the Philippines sent armed police to dissolve them by compulsion using water cannons and bayonets. A farmer was killed and scores were injured in the forceful dispersal. 
The number 635 in <After Mebuyan>(2016) is the number of tenant farmers and human activists killed by the governmental authority of the Philippines over the past 15 years. The artist borrowed a ritual in Philippine mythology and made 635 grains of rice with 14K gold to pay homage to those wrongly killed. 

TOP