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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Imjin War (Park Hwalsung)

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관리자 2022-12-19 10:22

Park Hwalsung
Workroom Press Editor
 
Busan was the setting of the first of the Imjin Invasions, an event that would usher in major changes to the political situation in East Asia, including Joseon Korea, Japan, and Ming China. The opening act of the conflict began on April 13, 1592, when Japanese forces trespassed in the waters off of Busanjin; the following day, they invaded Busanjin Fortress. Around 1,000 Korean soldiers battled against a Japanese army of nearly 20,000, but they were overwhelmed. Residents of the Dongnae prefecture, led by Song Sanghyeon, were felled by the Japanese forces. Thus established in Busan, Japan used the city as a military base and strategic base for its war of aggression. The horrific toll of the battle in Dongnae is effectively described in the poetry of Lee Annul, who became the prefectures governor in 1608. It relates how the sound of wailing rings out around the castle walls each April 14and how fortunate it is that any families survived to be able to wail. Further attesting to the horrors that happened at Dongnae Castle are the roughly 100 sets of human remains unearthed in 2005 during a subway dig at Busans Suan Station. The tide eventually turned in the war on September 1, 1592, when a Joseon navy led by Admiral Yi Sun-sin scored a major victory over Japan in the waters off of Busan. But this did not change the fact that Busan suffered the most losses of any region during the Imjin War.
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