스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & Artworksformer Bank of Korea in Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2018 Home Home Sweet Home

Read 12,223

관리자 2018-08-21 10:56

작가Ramin & Rokni Haerizadeh and Hesam Rahmanian

Home Home Sweet Home, Collage, gesso, acrylic and heaving mold on paper, 72 x 100 cm (A), 2015-2017
Home Home Sweet Home, Collage, gesso, acrylic on paper, 70 x 100 cm (B), 2015-2017, All courtesy of In Situ – Fabienne Leclerc

Ramin & Rokni HAERIZADEH
Home Home Sweet Home
Home Home Sweet Home

For the Busan Biennale, the artists draw and paint into found news images—a consistent method within their uncategorizable output. Titled If Night is Beautiful in Vain … Why is It Beautiful?… For Whom is It Beautiful? (2018) this series comprises gouache, gesso, watercolor and ink works wherein abstract shapes and animalistic motifs blend into and fracture images, portraying war and its aftermath. We see American soldiers streaming into a helicopter in a desert landscape, framed by swaths of brushy color. Elsewhere, men carry small babies through a decimated city, gouache additions having transformed their clothes into striped skins, and their heads into ghostly orbs. Well aligned with this Biennale’s theme, these collage paintings represent a point of political sharpness, in the artists’s otherwise playfully critical output.

TOP