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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2022 Gim Ikhyun

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관리자 2022-12-16 15:37

작가Gim Ikhyun
The Time of the Nanometer World, 2019, Single-channel video, color, sound, 24min.
 
The video starts with the sentence, “One nanosecond is the time required for light to travel about 30cm in air, or about 20 cm in an optical fiber cable.” This work reflects back on the present from the viewpoint of a distant future when civilization has transcended physical constraints by converting everything into data. In this futuristic world where technology has liberated the act of perception from the confines of corporeality, the act of “seeing” or even objects like “photography” are rendered as meaningless as the concept of time itself. Instead, the residual fragments of data embody the ferry (Hankai) that once sailed between Busan and Osaka, the trams, and the Kobe Port Liner Monorail, and tell their stories. In this age of increasing surveillance and censorship bolstered by artificial intelligence and machine learning, people continue to risk compromising their privacy as they share their records and memories. Along with this, descriptions and impressions of technology, and fragments of the conversations laying out the past and the present from the narrative. Speculating how the datafication of memories will manifest and how memories will exist in the future is akin to observing the underwater powerlines and fiber optic cables connecting Busan and Kyushu while floating aboard a rocky boat. It is along such axis of movement that the artist challenges the viewers to consider the connections and segmentations between world of nanometer that traverses the past, present, and the future and the global value chain.
 
Gim Ikhyun

b. 1985, Busan, South Korea
Lives in Suwon, South Korea

Gim Ikhyun uses the media of photography and video to speculate on the connections and discontinuities of exceeding large and small units, from the time frames of past and present to the nano-scale world and global value chains. Establishing new perceptions and concepts of mobility, he remembers, imagines, and observes the unseen presences that connect and separate us. In addition to the solo exhibitions Chair Flying (Gyeonggi Museum of Modern Art, Ansan, 2020) and Looming Shade (Sansumunhwa, Seoul, 2017), he has taken part in numerous international events and group exhibitions, including To you: Move Toward Where You Area (ARKO Art Center, Seoul, 2022) and SeMA Biennale Mediacity Seoul 2016. In 2017, he was selected for the Seoul Museum of Art (SeMA) Emerging Artists & Curators program.

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