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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 June 20th, 2002

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관리자 2016-08-23 10:55

작가ZENG Hao
ZENG Hao, <June 20th, 2002>, Oil on canvas, 73x60cm, 2002


ZENG Hao
June 20th, 2002

Zeng Hao captures an individual’s state of mind, personal impression and ambient changes he felt in the canvas. Common items such as bed, closet, pot, and images of shy characters can be found in his paintings. In particular, <04:06am of May. 9th, 1998>(1998) is one of the series of his major works, and it enables the viewers to imagine stories behind the work through the arrangement of various props such as characters, family, and electricity in a seemingly irrelevant combination. The pictures of families or spaces drawn by Zeng Hao connote the feeling of ambiguous isolation that is difficult to guess, and although they look perfect, they evoke the feeling of bleakness as they are drawn in perspective. It seems the artist is using his work as a metaphor for the vulnerable nature of relationships and demarcated realities of today’s modern society. 
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