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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Enclosure

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관리자 2016-08-23 11:13

작가SOHN Junghee
SOHN Junghee, <Enclosure>, Ceramic, sculpture, installation, 550x300x300cm, 2016

SOHN Junghee
Enclosure

Sohn Junghee focuses on realizing the dreams hidden deeply within her through the use of clay. As Pablo Picasso once said ‘Everything you can imagine is real’, the imaginary world she expresses becomes real the moment she makes and bakes clay by hand. The theme of Sohn Junghee’s works came from her daily life. Reading fairy tales like the Snow White to little children, distorting and satirizing happy endings have become the concept of her works, and as time passed by, she looked for various sources for her works from across all the ages and countries. Such stories were transformed through the interruption of the artist’s imagination, and they work as an allegory of distortion or satire and criticism in social phenomena. The common sentiments that lie in all of Sohn Junghee’s works are sympathy, humor, longing (resentment), and soaring. Deep love and affection for humans are conveyed in her works.
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