스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & Artworksformer Bank of Korea in Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Balloon Hit NO.1

Read 9,596

관리자 2016-08-23 13:13

작가JIN Yangping
JIN Yangping, <Balloon Hit NO.1>, Painting on screen, mixed materials, 230x310cm, 2016
JIN Yangping, <Balloon Hit NO.2>, Painting on screen, mixed materials, 230x310cm, 2016
JIN Yangping, <Stand By>, Painting on screen, mixed materials, 230x310cm, 2016

JIN Yangping
Balloon Hit NO.1

Artist Jin Yangping enjoys the disillusionment and disgust left of modernism and socialism, and openly creates ‘B-class paintings’. ‘B-class paintings’ describes the tendency of openly distorting and overthrowing mainstream values and forms in order to attack the universal weaknesses the spirit of humanity has and the fundamental vulnerability of contemporary human existence. As if Deconstructivism denounces the oppressive nature of Stalinism as well as deconstructs metadiscourse of Neoliberalism, the artist attacks both the form and the content of Chinese art of the times. Jin Yangping mocks creativity and originality, and does not pursue completion of works. His work is expressed in a discontinuous, random and fragmented manner. The works of Jin Yangping are ‘anti periodical philosophy’, and that is the way a ‘B-class artist’ paints.
TOP