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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 A Revisionist, 4km per hr

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관리자 2014-09-17 20:35

작가Moon Beom

Cibachrome print
103×130cm

A Revisionist, 4km per hr


Cibachrome print
103×130cm

An Anarchist, 0m per day


Cibachrome print
103×130cm

An Anarchist, 1mm per day


Cibachrome print
103×130cm

An Anarchist, 1cm per min


Art, Photography and Image Game
I submitted my photographs to Sevilla Biennale. Through works, I tried not only to complete reproduction of photographs but to take time and examine the reproduction itself over again. I started photography long ago and I frequently used a name like productive anarchist on my series and I submitted that series to the biennale and I tried to express feelings like buying and selling goods in a fair called biennale. It would make people feel that biennale is like a fair and I tried to take an alternative attitude to prevent that the biennale is biased to conventional meanings of art.

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