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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 What Marco Polo left behind

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관리자 2014-09-17 21:05

작가Kwak Hoon


Installation

What Marco Polo left behind


Painting of Nirvana
I made my debut with kiln in America. I've never seen a kiln so I worked on it only with idea. That was to express the process that clay is heated to become pottery. After my debut and exhibitions in America, I came up with making a Korean kiln someday for myself so I made this. Before making it, however, I borrowed one in Anseong. I made my kiln and exhibited it at National Museum of Contemporary Art and then minister Minseop Lee came for the opening ceremony and suggested me introducing the kiln in Venice. This work has been exhibited for 55 to 60 times since then - 40 in foreign countries and 20 in Korea. This was that popular so my name was so much frequently mentioned. One day, I said "No, No!" I just refused everyone. I was in Museum of New York, Birmingham, Orange County and even in Venice! I rejected all of them and my work was just piled up. I exhibited it at Daegu Museum of Art and I came to show the work at Busan Biennale this time once again. I have enough for this because I let people see the work as many as 50, 60 times.

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