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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 (영) THE FALL

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관리자 2009-08-28 10:47

작가Ringo Bunoan
The moment of ruin is the focal point of The Fall by Ringo Bunoan. It is expected given the nature of her material - hundreds of used pillows she collected from people she knew. They were used for a massive pillow wall installation, of which this work is an offshoot.
In The Fall, we see her as she takes the pillows one by one, laying them out tentatively like bricks. She is trying to build a wall, but before they even reach up to her waist, they fall. She tries again, and again. Each time, she strains to keep calm, undeterred by the rise and fall, the inevitable collapse. Eventually, she gives up and abandons the construction, leaving the pillows scattered like ruins on the floor.
Bunoan sees the vast sea of associations and meanings that can lie within an ordinary object, using it to create a sweeping gesture that comments on process, collaboration, history and the body. Re-working earlier Minimalist and Conceptual strategies, Bunoan’s work echoes the struggle of modernity and its search for utopia. Futile and tenuous, grand and emotive, it ricochets between the twin pillars of hope and failure.

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