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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 The Last Phases of the Future

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관리자 2009-08-28 10:30

작가Bu Hua
Generally speaking, “The Last Phases of Future” made in the year of 2007 tells the loneliness of the life in the universe, a sense of alienation and the occasionality of encounters.
The first part of the animation shows the different worlds, which, in the second part, turn out to be all floating platforms or islands in the dark universe. There appears a small plat where an animal jumps between two islands to explain why the same role could appear on different sites.
There is also a little girl in the film. She has a role to pass through all of the artist's works: animations, oil-paintings and drawings. She lives in the fictitious virtual world, whereas in “The Last Phases of the Future,” she has a gorgeous island as her "home" and foundation, where she even has her own Sun. It is a metaphor of an independent and completed character who can stand alone and even enjoy solitary, the eternal theme in life.
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