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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Headlines and Scribbles

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관리자 2009-08-27 09:39

작가Piotr Zamojski
1. Headlines and Scribbles is planned as a discreet intervention within a small park near to the Tourist Information Center. It will use headlines taken from daily newspapers in combination with fragments of scribbles lifted from objects found close to Haeundae Beach. These elements are combined into an alternating sequence and carved into the wooden handrail of the balustrade.
This work can be understood as a reflection on collective and personal yearning and fears. Headlines and Scribbles is made over the duration of the Busan Biennale.

2. The work Pieces is designed for the small beach-pavillion close to Songrim Park. This is a favorite meeting-point used by elders to play chess. A new systematic order is used for the seats that only changes the sequence of the existing colours. The actual number and colour of seats is consistent with the given situation. The reordering, in seven successive steps, takes place over the duration of Busan Biennale.
Three aspects of Pieces are important to me: the use of pre-existing objects, a temporal structure, and the work’s unspectacular appearance.
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