스킵네비게이션

Archive

Busan Biennale 2018

이전메뉴 다음메뉴
ArchiveBusan BiennaleBusan Biennale 2018Artists & Artworksformer Bank of Korea in Busan

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 The statue of son and father

Read 7,709

관리자 2005-10-12 16:46

작가In-Tae Kim
This work is a statue of a father and a son, in which two human faces are folded together. It shows a profane experiment manipulating the true essence of nature through the artificial separation of a maternal body. The father statue holding the son represents a menacing mutation and another head stemming directly from one head expresses a method of reproduction branching out from the body itself, not through the normal way of reproduction. Regarding all the virtues of mind and soul involving the dignity of humans, the artist wants to ask how the scientific technology and its pride relate to the whole ecology and universal order. He wants to warn that ethics should be taken into consideration in the scientific technology of mankind and civilization and technology should comply with the rules of circulation inherent in all the living things in the universe and the earth, rather than disturb the ecology itself.
TOP