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Busan Biennale 2018

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Another Person Inside Me

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관리자 2005-10-12 14:02

작가Seo, Sang-Ho
This work has a philosophical proposition as a title 멇nother Person Inside Me? With a structure shaped like large red pants, it describes the images of modern humans, who are living in the modern pluralistic society oblivious to the true essence of themselves. With this, the artist presents an opportunity to reflect on themselves to viewers gazing at the sea dreaming another dream. People can meet the blue sea, which is beautiful as ever, and themselves, who are changing rapidly in this place of contemplation the artist creates. The sublime and tragic intention of this work is to provide a kind of catharsis to the moderns living in the pluralized modern society without realizing their identity and their essence.
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